Who Let The Dogs Out Lyrics

Everyone is familiar with the upbeat song “Who let the dogs out?” However, the majority of the world is familiar with the song’s chorus from Baha Men. Everyone was grooving to it in the early 2000s.

It was shown in almost all of the Hollywood film trailers. And without it, the parties in the early 2000s lacked something. However, most people are unsure about the song’s actual meaning. Do not be alarmed; a television documentary contains the solution.

The venerable query was addressed in the Who Let the Dogs Out television documentary, which had its world premiere at SXSW in 2019. Anslem Douglas, a musician and songwriter, said that Baha Men copied his hit song “Doggie” as “Who Let the Dogs Out.” He was criticizing the disrespectful catcalling of women by men in his song. In reaction, the women refer to them as dogs.

Many people think that the song, which spans the 1990s and the 2000s, was written by the Baha Men and rose to stardom after it was used in the Rugrats in Paris: The Movie. That isn’t totally the case, though. However, we are here to explain who was responsible for letting the dogs out and the significance of the song’s lyrics. Let’s get started.

Who Let The Dogs Out

Interesting enough, the riddle is resolved in a television documentary that may be viewed on Hulu. Who Let the Dogs Out, a documentary by Brent Hodge, had its world premiere at SXSW in 2019. Many people may trace the song’s genesis back to Anslem Douglas’ song “Doggie,” which starts the narrative.

According to Douglas, the song is an anti-catcalling feminist hymn. This concept vastly contrasts with the 2015 meme, which does not portray women favorably.

To return to the song’s beginnings, the chorus for “Who Let The Dogs Out” was written in 1996 by two producers from Toronto’s Wreck Shop Radio, Patrick Stephenson and Leroy Williams.

They had created this chorus for a Buffalo, New York radio station jingle. After hearing the jingle while working at the same radio station, Douglas’ brother-in-law persuaded him to record it with Stephenson and Williams’ approval.